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While serving his sentence at the Stein detention center he produced a wealth of drawings and writings about art theory.Since his release in 1997, he has lived in Southern Portugal.
The actions became self-representation and therapy. In 1970, Mühl founded his first commune in the Praterstrasse in Vienna.
The bulk of the material concerns Mühl's performance art from the 1960s, the so-called material actions; his theoretical writings about Actionism and the social experiment the Friedrichshof Commune, dating predominantly from the 1970s; and hundreds of drawings Mühl produced throughout his life and most intensely during the first half of the 1990s while serving his prison term. There is a wealth of correspondence between various family members; hundreds of vintage photographs from the 1920s, 1930s, and the 1940s in Nazi-occupied Austria; as well as original school records, ID cards, and other official documents.
The material presents a unique resource for the study of the changing social and political conditions in Austria, especially in the region of Burgenland, in the first half on the 20th century.
His junk sculptures were shown in November 1961 at the gallery Junge Generation in Vienna in an exhibition featuring Otto Mühl, Adolf Frohner and Hans Niederbacher.
His first step towards a fundamental departure from traditional art making was the immurement action called Die Blutorgel (Blood Organ), which Mühl performed in 1962 together with Hermann Nitsch and Adolf Frohner in his atelier in the Perinetgasse in Vienna.Despite suffering from Parkinsons disease, Mühl continued to paint and make films.