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Fringe characters occasionally express surprise that Mickey (Jacobs) is with Gus (Rust), or joke about how Mickey is out of Gus’s league.

For the most part, however, they are kept on a level playing field because Mickey’s character is less than perfect.

You can find this in everything from The Honeymooners (1951–55) to animated kids’ show The Flintstones (1960–66) to current juggernaut hits Modern Family (2009–present) and The Big Bang Theory (2007–present); as well as The Sopranos, The George Lopez Show, Louie, That ’70s Show, Fresh Off the Boat, and all of Rob Schneider’s sitcoms.

Sitcoms have featured these couples since, well, the beginning of television, though in the early days, it was often a pretty actress paired with a relatively plain actor (The Bob Newhart Show).

They were slightly mismatched, a fact that was baked into the show’s premise and used for a quick chuckle.

With Everybody Loves Raymond (1996–2005), audiences were quick to point out Ray Romano’s not-exactly-leading-man looks, especially when compared to his wife, Debra (Patricia Heaton), and it became a joke within the show itself.

Of course, this is the point of most sitcoms: The opposites-attract, “look at that silly man fail at everything!

” setup is the easiest way to get cheap laughs — especially in a multi-camera sitcom in the ’00s.

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Sure, it was a stretch that Remini would be with James, especially when he kept screwing up.In later seasons, the show ramped up this mismatch by making Ray into something of a bumbling idiot, unable to do anything right and therefore constantly raising Debra’s ire.Because Everybody Loves Raymond was so successful, the series led to multiple copycats that paired beautiful actresses with similarly bumbling actors — and also added on a little weight.Last Friday, Netflix debuted its latest binge-ready romantic-comedy, Love, from Judd Apatow.

The ten-episode first season, which depicts the dueling perspectives of a man and a woman in a relationship, has picked up mostly positive reviews for its realistic portrayals of dating, addiction, and dependence. See, Love stars Gillian Jacobs (Community) and Paul Rust (Super Fun Night) in the lead roles, making it the latest entrant in a long line of a popular but sometimes frustrating television trope: the “ugly guy” getting the “hot woman.” Of course, beauty is subjective (there are certainly people out there who find Paul Rust attractive; I myself would not turn him down), but this trope fits into a larger attractiveness gap that’s abundant in television, especially sitcoms, where it’s sometimes acknowledged onscreen but more often not.Yet, by building their relationship over multiple seasons, they do.