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You’ll need schematics to implement some of these mods. We usually start with explaining a mod from a functional perspective where we relate to components in the logical schematics diagram.Finally we point out location of components in the physical layout diagram. Let us talk about one of our own gig amps; the “Linda Ronstadt amp”.Then we pulled the V1 preamp tube and replaced the tremolo intensity pot with a new switchable one that can completly disconnect the tremolo circuit from the signal path when turned to zero (see tremolo disconnect mode below), both to thicken the tone by increasing the preamp gain in the amp. The pick attack was now acceptable and the hard treble frequencies were compensated with punchy lower mids.These mods took us 25 minutes including assembling the amp chassis and cabinet back together. It was now much easier to find a sweet spot and good EQ settings and we enjoyed a lot playing the amp with no boost pedals.It has the typical blackface 60’s sparkle with a scooped clean sound just like the bigger Fender brothers, just with more smooth breakup, sag and compression.The smaller brother Princeton Reverb is rolling off more top frequencies and breaks up earlier with more warmth producing a brownface type of tone.
We are also very happy with a EVM12L speaker in this amp. It sounds like most blackface/silverface amps, full American tone with sparkle and punch. It has 22w clean headroom and breaks up at around 4 on the volume knob with a single coil guitar.
Many people consider the silverface amps just as sonically good as the blackface models.